"I'm dashed if I want to!" Owen honestly declared. "But what's a fellow to do if she won't meet a fellow?" "Too exciting for poor Mummy. She won't hear of it. She has been slating her fearfully. She says she's a 'barbarian.'"!

"I should think you might, with half your things here! It's Poynton itself—almost. Good-bye, Mr. Gereth," Fleda added. Her intention had naturally been that the neat young woman, opening the front door, should remain to close it on the departing guest. That functionary, however, had acutely vanished behind a stiff flap of green baize which Mrs. Gereth had not yet had time to abolish. Fleda put out her hand, but Owen turned away—he couldn't find his umbrella. She passed into the open air—she was determined to get him out; and in a moment he joined her in the little plastered portico which had small resemblance to any feature of Poynton. It was, as Mrs. Gereth had said, like the portico of a house in Brompton. By the day's end it was clear to Fleda Vetch that, however Mona judged, the day had been determinant; whether or no she felt the charm, she felt the challenge: at an early moment Owen Gereth would be able to tell his mother the worst. Nevertheless, when the elder lady, at bedtime, coming in a dressing-gown and a high fever to the younger one's room, cried out, "She hates it; but what will she do?" Fleda pretended vagueness, played at obscurity and assented disingenuously to the proposition that they at least had a respite. The future was dark to her, but there was a silken thread she could clutch in the gloom—she would never give Owen away. He might give himself—he even certainly would; but that was his own affair, and his blunders, his innocence, only added to the appeal he made to her. She would cover him, she would protect him, and beyond thinking her a cheerful inmate he would never guess her intention, any more than, beyond thinking her clever enough for anything, his acute mother would discover it. From this hour, with Mrs. Gereth, there was a flaw in her frankness: her admirable friend continued to know everything she did; what was to remain unknown was the general motive.

"Why, Mona's much worse than her mother. She wants much more to give me up." "She knows how awfully kind you've been to me," Owen said. He showed such discomfiture that he really gave away their situation; and Fleda found herself divided between the hope that he would take leave and the wish that he should see the whole of what the occasion might enable her to bring to pass for him. "He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration.